Shifting perspectives
moving farther away from the center shifts one’s frame
of reference. In the sculptures by Ludwig Haas the
person is ever-so-close in detail, yet remains reduced
to the other-worldly and is interpretable in so many
ways.
In the finality of the form of steel, it is most notably
the unusual structure of the surface that breaks away
from the coldness of the material, conveying life and
intimacy.
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